The Drive: Animation

Well, here it is.....

the final version of 'The Drive'..... my animation project that combines a whole lot of animation techniques including stop animation (using frame by frame hand drawn images) which was inspired by some of the three dimensional sculptures I created using antique kitchen utensils; and rotoscoping (creating a moving image by drawing directly over the top of existing moving footage) which were then collaged onto some footage I had captured on a foggy drive to work one wintery morning.

Set to the tune 'Love Like a Sunset Part 1' by Phoenix I also blended a whole lot of different sounds (thanks to www.freesound.org - a great website where you can download and use sounds for free) to further animate my hand drawn creations.

The creation of animation has been described as 'moving at a glacial pace' and I have to agree that it is very time consuming. It is also a lot of fun, and no doubt I will be incorporating more animation in my future art projects.

Basket Rings

In the ring course I learnt how to make a basic ring shape through annealing, bending and soldering the metal. 

Excitedly I put my new skills to the test and made a variety of rings using sterling silver, copper sheeting and thick copper wire. 

Basket ring (in progress). Sterling silver band, woven copper, brass and silver wire.
Image: Christina Arsenault 

I wanted to experiment with small woven wire structures that were attached to the band - relating to basketry and referring to my ongoing interest with pioneers and the native foods they would have to gather and eat in their new countries.

Basket Ring. Copper sheeting with woven copper wire.
Image: Christina Arsenault 

The delicate nature of the woven wire baskets reminds me a little of the flower that was abundant across Nova Scotia in summer last year, Queen Anne's Lace. After a little research I also discovered that Queens Anne's Lace is also known as 'wild carrot' and the root can be eaten, like a carrot. No doubt these plants would've been eaten by the pioneer settlers of Nova Scotia.

Queen Anne's Lace flower.

Basket Ring (in progress). Copper wire band, woven brass and silver wire.
Image: Christina Arsenault  

These rings are the beginning of a entire new series of work which I am incredibly excited about.

Im thinking I will display them with my ceramic works that look like slabs of rock cut from the earths surface. 

Kochira the Cat Kelly Animated

Ive been teaching myself the basics of some of the Adobe Creative Suite animation software programs such as Flash and After Effects.

Based on some footage I took whilst driving on the highway between Sydney and Canberra I have included the iconic Ned Kelly imagery by Sidney Nolan. However, Ned Kelly has been slightly adapted to be Kochira the Cat Kelly using Photoshop.

Heres a little snippet of what I am currently working on.

The snippet comes from a larger piece that I am working on. I couldn't wait for the entire piece to be finished (its over 5 minutes long which is an eternity of work in animation terms), so I thought I would share just a little bit with you.

It is a work in progress and not entirely polished yet.

Hollowware: Learning to fabricate

Our second project in Hollowware was to learn to solder joints, and make a 5 sided cube.

5 sided brass cube being held together with wire before soldering

 Although it looks relatively straight forward, the project is incredibly tricky, trying to get all angles at 90 degrees is more difficult than it looks!

And then there are the hours (literally) of sanding and polishing and elbow grease to get it to look like this....

Phew!

After learning how to make cubes we were given a project to design something that would hold an egg.

Starting with the basic concept of a cone, I explored many variations before coming up with this one.

Copper finished with green patina, and highly polished tentacles

The green patina then turned the most amazing purple from a couple of hours soaking in ammonia fumes.

Fun stuff and the purple was the most wonderful iridescent colour... and not even a colour our teacher had seen before either!

Iceberg Ring

In my quest to develop my jewellery skills I signed up for a ring course earlier this year. We were introduced to a variety of basic techniques including wax forming and simple stone settings.

Idea taking shape for Iceberg ring in wax.
I liked all the edges so it was designed to be worn in all three ways.

It was a fascinating process to see how a wax form is translated into metal. First the wax shape is placed in a plaster mould. The wax is then melted, leaving a hollow for the metal to fill.

Melting the silver to go into the wax cast 

The plaster cast is placed into a centrifuge and the metal, in my case silver, is melted. 

Iceberg ring as it looks freshly cast

To enhance the ring I decided to add a small black gem. Using a variety of tools I carved a hole into the ring to create the setting.

Learning to do a simple 'gypsy' stone setting 

And this is the final result! 

The finished Iceberg Ring

In the studio: slip casting and a change of direction

I have spent the past couple of weeks experimenting with different ways of making, and decorating  slip cast bowls.

Bowl mould circa 35cm dia.

Various methods of decoration included painting coloured underglaze directly onto the plaster bowl mould (above) or onto a flat slab, which was then transferred to the bowl mould (below). A layer of cheese cloth was embedded in the slip which provided strength whilst transferring the clay slip from the flat slab to the bowl mould. The cheesecloth then burns away during the firing process.

I also explored different methods of colouring the slip and ways of layering the colours into the moulds.

Unfortunately the results always ended up like this:

Breaking whilst drying in the mould, breaking during the bisque firing, and the one that made it through to the glaze fire also shattered.

I decided that the universe way trying to tell me to work in a different way, so I have changed my direction completely, and have started to make bowls in a much more solid form.

Geology slab bowls roughly measure 20 x 20 x 30 cm

The idea is that they look like they have been roughly hewn from the ground, with a bowl hollow carved into the 'rock'.

This then led to the idea of creating strata layers within the rock-like slabs. I added red iron, raw sienna, and yellow ochre to the clay.

The result is a much more substantial bowl, and Im excited in the direction my work is taking.  

Fingers crossed it survives the firing. Next, to experiment with glazes that replicate rust!

Hollowware: First project

Something I have always wanted to do is learn the basics of metal smithing, and my lack of skills and desire to know more became apparent last year when I was playing in the jewellery studio at the NSCCD residency in Halifax.

So I decided to enrol in a hollowware class.

Our first project was to learn some of the basic forging techniques, and below are my first samples. They are tres dodgy!

After learning the basics of stretching the metal in various ways, we then had to design either a spoon or butter knife using our new skills. 

I wanted to make a butter knife based on the idea of a shooting star. By this stage I was starting to understand the techniques involved to manipulate the metal (a lot of hammering and a sore arm!). And I ended up with this.

Shooting Star butter knife.  Brass 17.5cm long x 1.6cm wide

Not bad for my first attempt!