Thursday, 10 July 2014

The Fence Ring

I am amazed at just how much of an impact my residency at Hill End last year has had on my work.

Whilst I was there, not only did I sketch the interiors of the cottage I was living in, I also collected a lot of photographs of the fences and textures I came across on my daily exploration of the area. Some of these images were explored through etchings which were exhibited in Landscapes, Ladies and Literature at the Barometer Gallery in Sydney last year.

This year I have been learning jewellery making techniques and I used the inspiration gathered in Hill End as the concept for my jewellery designs.



Working off some quick sketches in my sketch book I made a marquette of the ring design using paper and string.

Fence ring marquette using paper and string
The ring is designed to be worn on two fingers, the ring and middle finger. It was important that this integrated with the design of the fence.

Fence ring made from copper
The first fence ring was made using copper. This was to make sure I could practice soldering the joins and make any tweaks to the design before committing to sterling silver.

Fence ring. Sterling silver. 11cm long  x 6cm high x 0.6cm deep




Thursday, 3 July 2014

Material Matters: Steel String + Wood

Continuing my exploration using wood as an alternative material to creating jewellery I found a stick covered with lichen. Its shape was delightful and I didn't want to cut it up like I had done with previous experiments. 

Wanting to keep the delicate lichen intact, I dipped the stick in resin which gave it a slightly shiny sheen. And looking to work with other metals, I chose to work with steel wire, string and slices of wood to assemble the necklace. 



Also continuing my work with sticks, at the eleventh hour I thought of this fun idea using sticks to create earrings. 


These earrings can be found on my online store


Thursday, 26 June 2014

Material Matters: Foraging for wood

I got such great results from slicing into found pieces of wood (see last weeks post about wood and resin) that I decided to continue working with this method of using wood collected in the bush.

I found a great piece that measured about 8cm in diameter with weathered, sun bleached bark that I thought could be interesting to work with. To my delight, when I started slicing it on the band saw, the interior was just, if not more, interesting combining beautiful wood grain with interesting patterns eaten out of the wood by insects.




I was interested to see what would happen if I combined the sliced wood with precious metals such as sterling silver chain. The chain began to represent all sorts of things, like the thick heavy chains that are used to keep the cars of the old bush tracks. And through using such fine chain, it also started to talk about the delicate balance of nature. 


A Stitch in Time

A stitch in time (detail)
I created a needle by soldering a length of sterling silver wire to the chain to assist with threading the chain through the slices of wood. Following on from my thoughts about time and the environment, this became a conceptual piece called 'a stitch in time'. I decided to leave the needle attached as part of the finished piece.

Hanging on by a Thread

Hanging on by a Thread (detail)

I also finely sliced and re-threaded a selection. They move nicely when worn and made a lovely soft rattle when moved.


I experimented and made some large brooches. 


And also some earrings. These are the beginnings of a new line of jewellery and can be bought in my online store





Thursday, 19 June 2014

Material Matters: Wood and Resin

Whilst walking through the bush I found a stick with a beautiful lichen growing on it. The colour of the lichen was such a delicate green and it was so lace-like I wanted to experiment with and preserve its exquisite qualities.

So I covered it in clear resin.


And then cut it up so that you could see the growth rings of the wood as well as the lichen.


 I threaded the slices of resin and wood onto an oxidised sterling silver rod with spacers to turn it into a necklace. Its currently attached to black cotton, but I think Ill attach it to some oxidised silver chain instead of the black thread to make it look 'finished'.


I was also curious to see what would happen if I cut a circle through the resin and turn it into a ring. The rectangular shape is surprisingly comfortable to wear and I was walking around the studio not even realising that I was wearing it.

The results were a lot of fun and I would like to continue to explore this idea. I particularly like that the pieces speak of capturing the essence of time.

I did find working with the resin was problematic because of the fumes. Ive been told that there is an EcoResin available that I must find out more about. Ethically I also find that working with resin also goes against my principles of using natural materials whenever possible.

For tips on working with resin refer to my previous post about resin and machine embroidery.

Thursday, 12 June 2014

Material Matters: Wood

After trying my hand at making things using paper in unusual and unexpected ways, the next challenge was to take this same approach and apply it to wood.

So I cut up pieces of found wood

And experimented with the idea of making wooden chain links. This is as far as I got, but an interesting idea to explore further....

 I tried carving into it....

 And weaving wire through it...

 And making kinetic pieces....


As well as cutting up a found bit of fence paling. I was most enamoured with the strong direction of the wood grain. And of course, I had to keep the rusty nail.

But I wasn't sure if any of these approaches was exciting enough to explore further. As Triple J comedian the Sandman says 'to be continued'........

Thursday, 5 June 2014

Material Matters : Paper Jewellery

I have been playing with paper, pushing boundaries and materials in an effort to discover new ways of working, and ultimately new ideas and concepts for creating jewellery.

Here are some of the experiments:

Stitching paper together using bookbinding techniques (coptic binding stitch)
Holding paper together using string
Dipping paper in resin
Riveting paper (left) and tie dying paper (right)
Constructing 3D forms with paper 
Wrapping with embroidery thread and held together with pins and coral

After many experiments I combined copper with paper and ended up with the following finished pieces:

Burnt rice paper held together with a copper rivet

Detail of burnt rice paper and copper rivet
Torn rice paper, riveted with copper tube, black patina
Torn rice paper, stitched with copper wire, green patina

Many of my experimental pieces would be fun to translate into metal...... all I need is the time *sigh*








Thursday, 29 May 2014

Hollowware: Egg Cup Design

Earlier in the year I designed and created an egg cup in my Hollowware course.

When it was first made it had the most amazing and unusual purple patina. (Pictures of the egg cup in an earlier post can be seen here.)

Now, a couple of months later it has faded to an aged icy turquoise blue. The high polish on the 'tentacles' has remained a beautiful dark copper colour. The blue patina was achieved by placing the copper with a green patina in a lidded bowl full of wood chips soaked in ammonia. The fumes of the ammonia turn the green patina blue!




And below are some of the designs that were discarded in the designing process. 




I would still like to make them....... maybe one day! 

Here are some websites on how to make different coloured patina's using ingredients generally found at home:







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