How to Print Sashiko Stencils on Fabric

If you have been swept away with the Sashiko stitching craze (like me) you are probably looking for easy ways to transfer designs onto your fabric without the hassle of tracing out grids, or buying expensive templates.

I have found a fabulous way to transfer your design onto fabric using an ink jet printer (these are the ones generally used at home with ink that is water soluble) and freezer paper. Freezer paper is the old fashioned way to wrap and store meat in the freezer and can be readily found in the supermarket. If you have trouble finding it, you can make your own (and I'll go into these steps in another post).

You willl need:

• Freezer paper
• Scissors
• Fabric (any light weight fabric will work)
• Iron
• Printer 

Step 1
Iron your fabric first to remove any wrinkles. You can work with any light weight fabric and I often use muslin (calico) because it is a good weight and it prints well. I often dye my fabrics before printing to create extra depth and interest, however plain fabrics work well too. The above sample was printed on indigo dyed muslin and the black ink contrasts well against the deep blue.

Step 2
Cut out a section of freezer paper to the same size of your printer paper (either 8.5"x11" or A4). I use a piece of printer paper as a guide or you could use card stock for something more durable.

Step 3
Place the freezer paper shiny side (plastic) down towards the fabric and iron it. The plastic will melt and adhere to the fabric.

Step 4

Cut around the paper making sure you have no frayed edges and that you are cutting close to the paper edge. 

Step 5

Place your fabric/paper into the printer facing the correct way. ie with my printer HP Envy 4000 I place it fabric side down with the paper side visible on the top. This ensures that the print goes on the fabric and not the other side. (if you get confused and accidentally place it the other way around, simply flip it and run it though the printer again)

Step 6

Press print! It should run through the printer ok and out comes an image printed on your fabric.

Step 7

You can peel off the paper and start sewing your design.

Step 8

I use a water base ink so that I can wash off the printed design after I have finished embroidering the pattern, however there are waterproof inks available if you wanted to have a permanent design.

These are some examples of fabrics that have been printed using my inkjet printer. The one below you can see wasn't completely ironed onto the freezer paper and was wrinkled going through the printer. But it still went through ok without getting stuck!

You can find lots of sashiko stencils online to download onto your computer to print.

Happy Stitching!

Print Making at Old Barns Elementary School

This week I had the pleasure of being an Artist in Residence at the Cobequid Consolidated Elementary School in Old Barns. 

I was invited to talk about myself and my life as an artist, followed by a print making demonstration. 

I demonstrated how to design and make a print using polystyrene trays as the 'print plate'. The students in years 3, 4, 5 and 6 then put their knowledge into practice to design their own prints.  

These are some of the results from the two days I was there. I simply love them! 

A big thank you to fabulous Jane Ross,  Grades 4/5 Teacher who tirelessly organized everything, and PAINTS, a program that helps schools in Nova Scotia bring professional visual artists into their classrooms. 

The Cat with the Mona Lisa smile

Mr Whiskers by Ruby
Acrylic on Canvas
2018

My youngest student Ruby has been working on a painting of her cat, Mr Whiskers, for the past month. 

This painting explores colour theory and she choose complimentary opposites on the colour wheel (orange and blue) to understand how placing a cold colour next to a warm colour makes some things recede whilst other parts of the painting pop out. 

The distinction between warm and cool colours has been important since at least the late 18th century. The contrast is related to the observed contrast in landscape light, between the warm colours associated with daylight or sunset, and the cool colours associated with a grey or overcast day. Warm colours are often said to be hues from red through yellow, browns and tans included; cool colours are often said to be the hues from blue green through blue violet, most greys included. 

Many artists use this to lead the eye around the canvas and give their paintings depth. For example, Vincent van Gogh used this technique often in paintings often using bright blues next to clear yellows for vibrancy.