Showing posts with label vintage. Show all posts
Showing posts with label vintage. Show all posts

Thursday, 11 December 2014

End of Semester Summary

My first semester in the MFA program for studio was with Professor Gary Markle. Gary is the Head of the Fashion studio at NSCAD and he has extensive experience working in New York in fashion, film and sculpture. He was the ideal professor to work with given my interdisciplinary nature and desire to explore ideas across a range of materials.




Lichen was the launching point for a series of investigations and I represented shapes found within the lichen using paper, the lids of tins and enamel (a whole blog post was written about the enamel necklace here). The pieces also continue to reference my interest in pioneers and the isolation they experienced.


Continuing to explore my interest in women's domestic objects I made some thimbles and experimented combining porcelain with crochet and gold lustre.




Continuing to play with domestic kitchenware I was interested to see what happened when you filled the void with rocks, thinking about sense of place and your ties or attachments to a geographic location. 



Living in Canada enables me to objectively look at my Australian history and heritage. I am interested in how our ties to the past inform our present and I am exploring this through the imagery of cameos, chain and branches.



This final piece is still in the middle of being created. Originally a porcelain tea cup, it has been broken and pieced back together. All attached by a silver chain. Here I am interested in the notions of sentimentality and how we place such importance on fragile objects. 

All these ideas seem quite disparate at the moment although I am hoping to distill their essence in my next semester next year. Its going to be quite the journey! 

Thursday, 20 November 2014

MFA exhibition: Progress in Work in Progress




Earlier this week, on a rainy Monday evening, was the opening for the MFA exhibition Progress in Work in Progress at the Anna Leonowens Gallery in Halifax. 

I chose to display a work that I had created earlier in the year Bush Telegraph. Made from a collection of vintage objects, manipulated domestic ware and machine embroidery embedded in resin, Bush Telegraph refers to my current interest in pioneering history and domestic spaces. I am particularly interested in exploring how many families were isolated, both in the sense of place (as both Canada and Australia were so far away from the mother country, England) and space as some families resided many miles from their nearest neighbour or town.

Bush Telegraph 2014

Thinking about this distance made me think about communication and how this occurred between countries. Often it would take 6 months for a letter to travel from one recipient and country to the other - and how it is this communication informs my work now. I am reading letters written in the 1800s by Elizabeth Moodie, British Canadian authoress, who wrote home to her mother in England about the trials and tribulations of living in a new land. 

Bush Telegraph 2014

The exhibition contains the work of the 17 current MFA students with works that range from a short documentary by Connie Littlefield, dying with and cataloguing local plants by Anna Haywood Jones to a performance piece about looking for a short term friend by Allyse Bowd. 
Bush Telegraph
photograph by Evan Rensch

Infront of my work at the opening


Gallery view of exhibition by Evan Rensch

For more information and pictures from the opening please visit the MFA blog

Thursday, 24 April 2014

The Travellers - Antique Kitchen Strainers

The Travellers
Photography by Christina Arsenault 

At the beginning of the year I found some delightful antique kitchen strainers and I immediately fell in love with their shape and form. I wanted to incorporate them into my artwork and create something beautiful with them.

Incorporating metal wire (copper, brass and silver plated that has been patina'ed) each antique strainer contains or carries a machine embroidered heart, that is incased in a resin house shape.



They certainly have character and have developed a life of their own. They became the inspiration for some stop motion animation, ending up in my 3 and a half minute animation, The Drive.

Finally I have finished a family of three 'Travellers'. Here they are


The Travellers
Photography by Christina Arsenault 

The Travellers
Photography by Christina Arsenault 

The Travellers
Photography by Christina Arsenault 


Thursday, 30 January 2014

Animated kitchen utensils

Over the past couple of weeks I have been learning the basics of stop animation.


You may remember my post from last week about the vintage kitchen utensils, well, my sketches for them have become the basis for my very basic stop motion animation.


The fun thing is they have all developed personalities of their own. Cheeky things!

This one above / and below, is based on an egg cup I designed in metal. Im in the process of making it! When flipped on its side it turns into a squid. Neat huh!



Thursday, 23 January 2014

Vintage kitchen utensils

Whilst hanging out in my favourite antique shop I found a delightfully old strainer with a painted green wooden handle.


I thought it would be perfect for my continuing exploration into pioneering history from a women's perspective. I have become interested in the ideas of isolation and communication and how location would have impacted on the early settlers.


My original idea was to build a house out of wire on top of the strainer.


But there was something nice about the movement of the wire when held with the house structure upside down.

Im not too sure of the direction this piece will take yet - but Im having fun exploring the possibilities!

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