Pioneer Landscape Ring

Our second major assignment for Advanced Techniques in jewellery was to create a sculptural ring that incorporated tube settings.

Continuing to explore my interest in pioneering Australia I chose to design a ring that referenced the landscape. I was also looking to incorporate other materials and so I wanted to work with plexiglass and also parts of an antique saw blade I had acquired.

Pioneer Landscape Sculptural Ring detail

Working with my fascination of light and transparency I used the plexiglass to create mountain landscapes, with sections of the saw blade to refer to the manual labour required to eek out an existence in the Australian bush. The silver casing was textured to also refer to the terrain.

I carved rough hewn nails in wax that were then cast in silver. These became the place to slide your fingers through and are in essence the 'ring' part of the sculpture.

Originally I was planning to set gems in the rivet holes that hold the plexiglass and saw blades within the sterling silver casing, however as the design progressed this was not possible. So I added the chain which connects to a cast silver nail at one end, and the end of the saw blade at the other. The chain can be wrapped around the wrist with the saw and nail dangling like charms from a charm bracelet. 

It was onto this piece of steel that I fused 24k gold spots, soldered the silver tubes and set Andalusite gems within them. Andalusite is a beautiful stone that looks green in some lights, and a light pink in others.  

It was incredibly exciting to be working with found objects, rusty steel and gold and it has led to many ideas that I wish to explore! 

Rural Fence Studies

Following on from my residency at Hill End in 2013 I continue to have a fascination with fences. I was interested in the decorative picket fences, many of which in the town were particularly old and were made using shapes and designs that are no longer in use. I photographed and shared some of them with you in a previous blog post. 

 

Since then, the structure of the fence has been appearing in my artworks. First as a ring design, then a brooch and finally a necklace. 

Over Christmas I had the opportunity to go home to Australia and one of the first things I did was to photograph the Australian landscape and admire the rural and rustic fences.

I particularly enjoy the details of how the wire is attached to the posts and the weathering that occurs from being exposed to the harsh Australian elements. 

These images are going to be the starting point for my MFA work for this semester. The theme is The Body as Landscape and I am looking to create jewellery that interacts with the body based on the idea of fences and gates. 

I love the golden tones of the setting sun against the tall grasses in the paddock. Interestingly this image serendipitously (accidentally) sums up my current interests: communication (telegraph pole and letter box), remote rural landscapes and fences. 

Completed Basket Rings displayed within Ceramics

Basket Rings. Photography: Christina Arsenault

A couple of months ago I shared with you the beginnings of a new series of work: baskets that are woven in metal and attached to rings, and more information on the concept behind these pieces can be found here. 

Pioneer Landscapes. Photography: Christina Arsenault

Initially they were designed to be displayed within the context of larger blocks of clay. (Further information on this concept can be found here). 

Salt of the Earth 1. Photography: Christina Arsenault

Salt of the Earth 2. Photography: Christina Arsenault

Although I also like them displayed without the ceramic pieces and just in the engraved pebbles that support them, as seen in the top image.

Coptic Binding

Something I have wanted to try for quite some time was to make a book using the coptic binding stitch technique. I have wanted to learn this technique since I saw it at the Tasmanian Art Fair in 2010. The Third Door had some beautiful examples of coptic binding and I was entranced by how they lent themselves to draping and that the opened flat which is perfect for a sketch book.

Coptic binding

Coptic binding was used by early Christians in Egypt and examples can be dated back to the 2nd century AD. It is a method of joining sections of parchment, papyrus or paper using chain stitch linking across the spine.

I had some spare time recently so I decided to teach myself the technique. Using some fabric scraps, I created a cover that alluded to what the content of the book will be (this will come at a later stage).

Fabric embroidered cover

 For those who have been following my blog you will recognise Kochira the Cat Kelly (in the style of  Australian artist Sidney Nolan's Ned Kelly, the famous Australian bush ranger) who features in my animation, The Drive.

The decorative binding

I really enjoyed making the book, and plan to make a few more when I have some more spare time.

If you would also like to give this a try I found the following sites very helpful:
- Coptic binding directions illustrated by pictures 
- Coptic binding tutorial on Youtube. 11 mins long.

In the studio: Salt of the Earth ceramics

Following weeks in the studio in which all my ceramic experiments seemed to disintegrate I decided to change direction and work with a more substantial and solid approach to my work, aiming to create bowls that appear to be carved from rock hewn from the earth.

Working with porcelain and oxides, my intention was to create bowls that represented layered strata of rock.

Salt of the Earth #1

Due to the extreme thickness of the slabs (about 20 x 20 x 30 cm) the slabs would require a couple of weeks to completely dry before the firing process could take place. 

Of course, I chose to rush this process and subsequently had a disaster where an entire kiln load of my work exploded because I tried to fire it too quickly.

A subsequent firing where the kiln was programmed to dry the clay for 24 hours before the firing process begun was much more successful and the results can be seen in Salt of the Earth #1 and #2.

Although there was some cracking in these pieces (probably due to the porcelain clay body rather than the firing process), I think it adds to the work and the idea of erosion. The pieces were fired once, skipping the bisque firing, in a reduction atmosphere. I really like how carbon has been trapped in the clay, turning it from pure white to a delicious grey. 

Salt of the Earth #2

Displayed with the ceramic landscape bowls are my Basket rings.

The Drive: Animation

Well, here it is.....

the final version of 'The Drive'..... my animation project that combines a whole lot of animation techniques including stop animation (using frame by frame hand drawn images) which was inspired by some of the three dimensional sculptures I created using antique kitchen utensils; and rotoscoping (creating a moving image by drawing directly over the top of existing moving footage) which were then collaged onto some footage I had captured on a foggy drive to work one wintery morning.

Set to the tune 'Love Like a Sunset Part 1' by Phoenix I also blended a whole lot of different sounds (thanks to www.freesound.org - a great website where you can download and use sounds for free) to further animate my hand drawn creations.

The creation of animation has been described as 'moving at a glacial pace' and I have to agree that it is very time consuming. It is also a lot of fun, and no doubt I will be incorporating more animation in my future art projects.

Kochira the Cat Kelly Animated

Ive been teaching myself the basics of some of the Adobe Creative Suite animation software programs such as Flash and After Effects.

Based on some footage I took whilst driving on the highway between Sydney and Canberra I have included the iconic Ned Kelly imagery by Sidney Nolan. However, Ned Kelly has been slightly adapted to be Kochira the Cat Kelly using Photoshop.

Heres a little snippet of what I am currently working on.

The snippet comes from a larger piece that I am working on. I couldn't wait for the entire piece to be finished (its over 5 minutes long which is an eternity of work in animation terms), so I thought I would share just a little bit with you.

It is a work in progress and not entirely polished yet.

Iceberg Ring

In my quest to develop my jewellery skills I signed up for a ring course earlier this year. We were introduced to a variety of basic techniques including wax forming and simple stone settings.

Idea taking shape for Iceberg ring in wax.
I liked all the edges so it was designed to be worn in all three ways.

It was a fascinating process to see how a wax form is translated into metal. First the wax shape is placed in a plaster mould. The wax is then melted, leaving a hollow for the metal to fill.

Melting the silver to go into the wax cast 

The plaster cast is placed into a centrifuge and the metal, in my case silver, is melted. 

Iceberg ring as it looks freshly cast

To enhance the ring I decided to add a small black gem. Using a variety of tools I carved a hole into the ring to create the setting.

Learning to do a simple 'gypsy' stone setting 

And this is the final result! 

The finished Iceberg Ring