Thursday, 19 July 2012

Beauty and the Sublime

A wise man once said "Focus on the journey, not the destination. Joy is found not in finished an activity, but in doing it".*


I always seem to rush from one project to the next, focusing on the future and leaving little time to stop and enjoy my surroundings. 


I travel a lot and see many beautiful scenes out the window. 


So I thought I would focus on the moment and capture some of the moods of winter.



I have been learning about the sublime, developed in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, written by Edmund Burke in 1756 which inspired William Turner's paintings. The sublime is the quality of greatness (moral, intellectual, metaphysical, aesthetical, spiritual and artistic).



The beautiful, according to Burke, is well-formed and aesthetically pleasing whereas the sublime is what has the power to compel and destroy.





Light and atmosphere, colour and dramatic movement, capture the sublime in its rawest form. 



* this quote has been attributed to Don Williams Jr, American Novelist and Poet. 

Friday, 13 July 2012

Snapshot Exhibition at Goulburn Regional Art Gallery

Vignette Series: fabric repeat and porcelain pieces

This week I had the pleasure of talking to an audience at the Goulburn Regional Art Gallery about my work and inspiration to coincide with a Snapshot exhibition of my work in the foyer of the gallery.

Vignette: Kitchen series. Porcelain dimensions variable

As well as being a great way to reflect on all the different things I have created over the past couple of years through exploring imagery using different mediums, it was a great opportunity to discuss different approaches to making with the group.

We shared great ideas with suggestions for further works. I must investigate stiffening using a sugar syrup (the old fashioned way) and explore Tumbarumba Pioneers Women's hut. I left with my mind full of new ideas and inspiration.

Its great to see that Goulburn has such a strong and supportive arts scene.
Thank you GRAG x


Wednesday, 27 June 2012

Petite Miniature Textiles Exhibition

My artwork Nest 1 has been selected for the Petite Miniature Textiles exhibition that is on at the Wangaratta Art Gallery from 12 June to 22 July 2012. 

To be eligible for the show artworks needed to measure less than 30 cm in every direction.

This delicate piece measures 15 x 15 x 8 cm high and was created using machine embroidery techniques.

Nest 1: Machine Embroidery

Detail of Nest 1.

Thursday, 14 June 2012

Feature Designer: Anne Willsford of FibreStudio Design


Recently I added a beautiful vibrant pink felted scarf by Anne Willsford to my winter wardrobe. 

Its fabulous, it keeps me warm and adds a splash of colour to my outfit (admittedly I wear all black when wearing this scarf because its such a feature) and it always gets many flattering comments.

My very beautiful FibreStudioDesign scarf


I love it so much I thought I would share it with you. I was very lucky to get an interview with Anne. Here's what she had to say.........

Where do you get your inspiration from?
All my ideas come from my obsession with textiles, particularly feltmaking.  When I see a person wearing an interesting scarf, woven jacket or printed fabric I immediately start thinking how it can be transformed into wool felt.  It might be the colour scheme, the unusual cut of the garment or the woven/ knitted fabric structure that might inspire me most.  

Forms and structures in contemporary architecture and design also inspire my textile work.  One particular designer I admire is the furniture designer Patricia Urquiola who shows a strong textile aesthetic in her designs, and sometimes uses commercial wool felt.  I also love the form, functionality and simplicity of 1960s Scandinavian design and the inventiveness of contemporary Japanese textiles.

Hand dyed superfine merino scarf

I am endlessly inspired by the qualities of handmade felt – how it can be gossamer-like for cobweb felt scarves, or soft and drapable for dresses and scarves, or it can be tough and hard-wearing for iPad sleeves, bags, footwear and carpets – its all in the choice of the right wool fibre and felting technique.  

Smartphone Sleeves - how cool are these!!

It’s exciting to incorporate other loose fibres like silk, mohair, flax and rayon with our fine Australian merino wool to make felt that has a livelier surface texture that catches the light.  

Using the nunofelt technique, where sheer fabrics (usually silk) and fine wool fibres are layered together, the fabric becomes ruched and lovely surface effects are created, while still being very lightweight to wear.  Being very drapable, nunofelt is very suited to making scarves, wraps, vests and dresses.

Your products are all handmade…what’s the best thing about seeing your various forms of art through from the conceptual stage to finished product?
I love the challenge of making wool felt products all year round, not just for winter.  During the warmer months I make lightweight nuno scarves and wraps, and also focus more on exploring vessel forms and other felt products like Smartphone and notebook sleeves.  Felting is such an adaptable medium, and I like playing with ideas of translucency and opaqueness, grid forms, subtle tonal variations, colour combinations, texture, and light and shade effects.

Felt vessels

I develop my ideas by making sketches and exploring techniques, materials and colour combinations.  My training as a designer kicks in and I usually make scale drawings of the work, calculating the size it will be both before and after felting.  Each felt work is designed with the end use in mind.  I then carefully calculate the shrinkage rate and appropriate weight for the finished work, which depends on how drapable it needs to be.  Once these parameters are set I let the process take over.

One of the challenging parts of creating a new felt work is choosing the techniques, materials and colours to work with, then going through the process of gradually building the multi-layers of fibres – the first stage of making the felt.  

Example of fibres being laid out before the felting process begins

However, in the end, no matter how exact my calculations are, during the wet felting process the fibres seem to have a mind of their own.  The final product is unpredictable.  This transformation fascinates me, and the results are sometimes a surprise.  The really best part is seeing the look on the face of the person who decides they just have to have it.

What’s your favourite piece from your range?
My signature spiral scarves create an unusual sculptural form that can be draped in various ways to suit the wearer.  These scarves are handmade using a technique I first developed as an exhibition piece for the Curves exhibition held at Craft ACT in 2004.  

Although making my spiral scarves can be quite time consuming, I love making them as they offer so many possibilities.  I can create a totally unique felt piece by either combining similar or contrasting coloured merino wool fibres, or adding silk fibre or fabric accents, or using some of my hand-carded fibre combinations for a range of effects.  

Spiral Scarf

Where can we find your work?
I currently have a selection of my work at the Craft ACT Shop and a casual stall at the Old Bus Depot Markets every couple of weeks where I display a range of felt vessels and wearables.  I go to designer markets in Canberra and in the future I hope to sell online.  I am also interested in discussing ideas with people about ideas for creating special felt work.
You can also find me online at www.facebook.com/FibreStudioDesign

Price range?
I have a broad price range with my vessels ranging from $22, narrow scarves for $85 and larger scarves, spiral scarves and wraps from $95 to around $300.

Anything else you'd like to mention?
I value working with quality materials that are locally sourced where possible.  I take great care and pride in creating unique felt work to a high standard, to create timeless wearable felt.
-------

If you like Anne's beautiful felt works you can also follow her blog Fibre Reflections and she has a fabulous collection of images for inspiration on pininterest

Happy viewing x

Thursday, 7 June 2012

Playing in the kitchen - organic homemade moisturiser


This week Ive been playing in the kitchen making my own moisturiser. I was inspired by a recipe found in Jackie French's book The best of Jackie French and made a note to try it when I ran out of my existing face cream. It was really easy to make (no fussing around with weird or hard to find products) and it very nice on the skin. 

Im also making my own lavender oil and rosewater.

Moisturiser Cream
1 tbs lime juice
1 tbs avocado oil (available from Woolies)
3 tbs glycerine 
3 tbs rosewater 
1 ts lavender oil

Combine all ingredients in a jar and shake well. How easy is that!

Lavender infused oil
1-2 cups dried lavender (flowers are best but you can also use the leaves)
oil (Im using a good quality light olive oil)
fill a glass jar with a tight fitting lid  
Fine mesh strainer or cheesecloth (I find an old clean tea towel works well)
A dark glass bottle (blue or amber) for the finished product

Place lavender into the clear glass jar and fill with chosen oil. 
Firmly close the lid and put the jar in a warm spot in the sunshine to 'brew', shaking it every now and then to mix. 
Allow the mixture to steep for a couple of weeks.
Strain the plant material from the oil using the strainer or cheesecloth.
Store your finished oil in the dark glass bottle in a cool dark place to preserve its healthy properties.

*if your lavender oil isnt strong enough, repeat the process again using the lavender infused oil to soak new dried lavender flowers.

Rose Water
1 cup rose petals (best picked in the morning before the heat of the day)
2 cups boiling water.

Cover rose petals with boiling water and steep until liquid is cool.
Strain, squeeze the liquid from the petals.
Keep refrigerated in a sterilised jar. 


** And remember, if anything looks or smells weird throw it out and start again **

Have fun x



Thursday, 31 May 2012

Knitted ceramic cups

In my time to get organised post recently I teased you with the image below.... alluding to what I had planned to do with my knitted twine objects

Knitted twine objects

Well, Ive been using the knitted objects as press moulds to make vessels in ceramics.

Ceramic vessels using different knitted moulds and clay bodies (before firing)
And yesterday some of my glazed experiments were unpacked from the kiln.

Left cup glazed with Copper Red glaze, right up unglazed porcelain
 It was most exciting to see the end results.

Left cup glazed inside with Chun, right cup with Celadon glaze.
I am still on the quest for the perfect coffee cup... these ones, were the right size when I started, shrunk considerably after firing - looks like Ill have to watch some more TV to justify knitting some bigger moulds :)

PS - In that same post I promised not to start any more new projects until I had finished the ones I had started.... well Ive managed to finish the pink/brown jumper (although Im still not 100% convinced that its what I want, but Im reluctant to knit it for a 5th time!)


Friday, 25 May 2012

The Queens Diamond Jubilee - new designs

The Queen is a topic of debate here in Australia. Some would like to see a republic, whilst others prefer the status quo. I quite like having a Queen and all the associated history, tradition and links to Britain (where I spent 6 years living and working in London and I consider it my second home).

We have a long weekend in June coming up, the Queens Birthday, and to celebrate I have designed and printed tea towels, cushions and t-shirts which will be available online and at selected outlets. I have wanted to explore this image for a while, so its pretty exciting to see it realised from the pages of a sketch book I kept whilst in London.

The Queen Stamp (design measures 26 x 30cm), on linen tea towel.
Royal Male (design measures 28 x 22cm) on cotton tshirt
This year we also celebrate 60 years as the Monarch of the Commonwealth. During her reign the Queen has seen six decades of enormous social change and development including the first man in space, JFK's assassination, the peace movement of the 60's, the fall of the Berlin wall,  and the cloning of Dolly the sheep. A website which celebrates the Queen's Diamond Jubilee can be found at which contains all this and more about the Queen. 


Whilst I was looking around the site I discovered the complete collection of Queen Victoria's journals from the Royal Archives.  Queen Victoria was a keen artist and she captured people and places throughout her life. Below are some of her sketches, to see the entire collection visit www.queenvictoriasjournals.org

Water colour by Queen Victoria 6 June 1845.
Image from www.queenvictoriasjournals.org 

3 November 1853 
18 April 1862


Its pretty cool to be able to see Queen Victoria's sketches and read her diary (if you have the patience to decipher her spidery writing)!


























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